What is The Emptiness Machine about? I think it’s about social media.
I’ve listened to Linkin Park’s new single The Emptiness Machine at least 50 times since it was released yesterday. It speaks to MY SOUL and I have strong feelings about what it means to me.
I’ve been a Linkin Park fan for more than 20 years. I vividly remember listening to Hybrid Theory in my graphic design class my junior year of high school. I learned how layers work in Photoshop while memorizing the lyrics to Runaway while listening on my headphones. As a sucker for nostalgia (I saw Creed in concert last month, for God’s sake), seeing Linkin Park return in 2024 returned all the feels to me.
I’m not big on, like… interpreting song lyrics? I don’t even know the lyrics to most of the songs I like. I don’t just mean that I don’t have them memorized; I mean that I’ve been hearing some of the same songs on the radio for decades and I have literally no idea what they’re talking about. But this song hits different. WAY different. So here we go.
The emptiness machine is social media
First, the context: I don’t know about you, but for the last 15-ish years, my experience interacting with strangers on social media has mostly been awful. Reddit is the literal worst. I’ve had multiple accounts for well over a decade, and the negative interactions I’ve had there have outweighed the positive interactions by a ludicrous margin. Fans of the site will make dumb excuses and justify Reddit as being a place that is not simply full of horrible, awful, toxic people, but I have a lived experience that is not that.
Twitter has a similar vibe, although once Elon Musk took over and I lost my coveted verified status when he made verification a paid feature, fewer people have been seeing my tweets, which means I’ve had fewer opportunities for aggressive engagement from complete strangers. But in the past, even my innocent tweets were often met by trolls I’d never met somehow finding them and ad hominem attacking me for whatever they said. (Appropriately, the worst interactions I’ve had on Twitter were when I engaged with Twitter accounts based on Reddit posts.)
I spend significantly less time on Meta platforms these days, but in the past, Facebook has led to many negative interactions with people I’ve actually met, and the brand accounts I’ve run on Instagram have been overrun with toxicity and negativity. And we all know to never read the comments on YouTube (that’s basically a golden rule of the site).
There are countless scientific papers and articles you can find online that quantify how bad social media is for your mental health in general, so if you can’t relate, then you’ll just have to trust me, literally science, and probably several million other people on this one: social media is generally bad.
The emptiness machine from the titular song, in my view, is a stand-in for social media, and the unnamed “you” in the song is the “you” that is the general character of the worst users on those sites. It tracks with my experience almost exactly and does an uncanny job of characterizing the (usually) faceless/anonymous mob that is seemingly waiting for any opportunity to just cut people down mercilessly.
Breaking down the lyrics of The Emptiness Machine
Looking at the lyrics line by line, this all tracks with my experience using social media.
Your blades are sharpened with precision
Flashing your favorite point of view
“Blades” refer to the barbs and other insults and takedowns that complete strangers seem to have refined to the point of perfection. “Flashing your favorite point of view” refers to the way their beliefs are cemented in their minds and ready to show off at a moment’s notice. Do you have a nuanced opinion of a politician or geopolitical event anywhere in the world? Well, then, prepare for someone you’ve never met to stab you with their well-crafted, completely inflexible opinion that has been “sharpened with precision.”
I know you’re waiting in the distance
Just like you always do, just like you always do
“Waiting in the distance” means that oh, don’t worry: they’re coming for you. As I write this blog post, I know they’re coming. Someone will comment about how stupid this theory is. Or about how I look bad physically. Or about some past post I’ve made is bad. Or even about their belief that the new lead singer of Linkin Park is a bad person because of her personal life, thus meaning that I shouldn’t be allowed to enjoy nice things. I had originally considered sharing this blog post on Reddit, but I feel there are FEWER people waiting in the distance on my website than there are on Reddit. But they’ll still come “just like [they] always do.”
Already pulling me in
Already under my skin
And I know exactly how this ends
I feel compelled to write. The internet is always “pulling me in” and tempting me to share my opinion with… someone. Anyone? A certain audience? It’s the curse of social media. I already feel anxiety about having to deal with the blowback from sharing my opinion here. The online stranger is “already under my skin.” I am already mad at someone I don’t even know exists. “And I know exactly how this ends.”
I Let you cut me open just to watch me bleed
This is important: I enabled, and am continuing to enable, this situation to happen. I am still here. I am still posting. I am going to let some random person on the internet, whether I know them or not, “cut me open,” and as far as I can tell, they’re doing it “just to watch me bleed.” Nobody gains anything from shitting on a blog post from some random suburban dad who just wants to share his thoughts. Yet here we are.
Gave up who I am for who you wanted me to be
Don’t know why I’m hopin’ for what I won’t receive
I haven’t given up who I am, exactly, in this post. But how many of us have given up who we are for what others wanted us to be? How many times have you self-censored yourself online, or edited something you wanted to say, or only spoken up about certain topics because you didn’t want to be rejected by a group?
I once interviewed a researcher at Cornell University for the podcast I produced and hosted for Discovery, and she had incredibly compelling research regarding the power of exclusion. People are hard-wired to handle rejection from groups very poorly. In her studies, she had participants play online games with strangers, and those participants were purposely “excluded” from some of the games they played. Those participants felt very bad even if the researchers told them that the theoretical strangers with whom they were gaming online were reprehensible people, like members of the KKK. (The research was ongoing at the time, and I have not followed up to see if anything was published. But the initial findings were striking and have always stuck with me.)
Social media is the worst manifestation of groupthink and of exclusion. Part of what I hate so much about Reddit is that feeling of exclusion. Maybe I’m particularly sensitive to it, but I feel it, and there is no social media platform that can make you feel excluded the way Reddit does. You can be banned from subreddits for simply expressing an opinion (or even asking a simple question!) that runs contradictory to the dominant beliefs of the group.
We’ve all had little dopamine hits from likes or upvotes online, but in general, when I post something, I don’t get an overwhelmingly positive response or end up feeling accepted by this elusive, anonymous group of supposedly like-minded people with whom I’m trying to interact. I genuinely “don’t know why I’m hopin’ for what I won’t receive.”
And even looking at it less cynically: let’s say you give up who you are for what social media algorithms or groups want you to be and you aren’t rejected outright; even if you’re accepted, what then? What will you truly receive? What do you think you’ll get from a screen? Are you hoping for something you won’t receive?
Fallin’ for the promise of the emptiness machine
The emptiness machine
But that’s the promise of social media, right? To connect us? To make us feel accepted, or like we’re part of something? If you actually believe in that promise, then you’ve fallen for it. You, like many others, are “fallin’ for the promise” of social media — the emptiness machine.
Goin’ around like a revolver
It’s been decided how we lose
Which of the revolver’s bullets do you want to take? The Facebook bullet of your high school friend or coworker commenting on your post that you’re supporting the wrong political candidate or cause? The Twitter bullet of not having the “right” response to the latest school shooting or bombing in the Middle East? The Reddit bullet of asking a “stupid question” to a supposedly helpful subreddit that claims to want to help educate people about something? How many times have you switched tabs in your web browser like a game of Russian Roulette to see which feed you want to fall prey to next? “It’s been decided how we lose” by the algorithms that reward the toxic behavior that makes you feel bad about yourself. It’s already out of our hands.
‘Cause there’s a fire under the altar
I keep on lyin’ to, I keep on lyin’ to
Silicon Valley tech giants are gods in the religion that is American capitalism. You’re worshipping at the altar of social media success. The altar of Mark Zuckerberg generating billions of dollars in revenue, the altar of Elon Musk being able to buy up a major social media site and play with it like it’s a toy, the altar of the Snapchat guy turning down Facebook’s offer to buy them for billions of dollars.
The “fire under the altar” refers to the steps these platforms are taking to achieve endless growth. They need to satisfy their investors with an infinite upward trajectory driven by an insatiable increase in on-platform engagement.
Put simply, they’ve decided “how we lose” because of the profit-driven fire being put under their ass to keep us there. When they need growth, they do whatever they can to get us to waste more of our lives on their platforms, regardless of whether it’s good for us. They decide how we lose. And because their algorithms don’t care about authenticity or reward anyone for being their true self, these platforms are the ones you “keep on lyin’ to” in order to try to be seen or heard by others.
(Or, alternately, the “fire” refers to the eventual decline or even downfall of social media giants if people smarten up and use them less and/or politicians restrict or ban them. We all keep lying to TikTok even though it’s on “fire” and could be legally banned in the US at some point.)
Already pulling me in
Already under my skin
And I know exactly how this ends
This brings the song full circle back to being pulled in… to the next social media temptation.
(Or technology temptation, if you want to take it a step further; does your iPhone 14 addiction bother you? Then why are you camping out in front of a store at 3 a.m. waiting in line to buy an iPhone 15?)
Remember when Meta debuted Threads? People were looking for an alternative to Twitter after it was acquired by Elon Musk, so suddenly Threads popped up as a Twitter clone attached to Instagram. I’ve been on Twitter for 15 years. What you need to understand about Twitter culture is that a LOT of people on Twitter perceive Twitter as a horrible place to be. I have made comments in many past tweets about how it’s a cesspool and it’s a curse to be there. When my Twitter anniversary comes up, I inevitably make a comment about how I can’t believe I’ve let it make my life worse for yet another year. Yet when Threads showed up, many people actually signed up for it.
WHY?
We used Twitter. We saw people were terrible. Meta (which was already facing a ton of bad press due to all the horrible mental health problems Instagram has been causing for the last several years) launched a nearly identical service and people flocked to it. It surpassed 30 million signups in 24 hours. It was “already pulling [people] in.” It was already under many people’s skin. And we all knew exactly how it would end.
(Well, actually, growth and user engagement dropped significantly, so it kind of petered out. But some people are still on there, and I am going to go out on a limb and guess that those people have had negative interactions on the platform.)
Let you cut me open just to watch me bleed
Gave up who I am for who you wanted me to be
Don’t know why I’m hopin’ for what I won’t receive
Fallin’ for the promise of the emptiness machine
It hits different this time, doesn’t it? Knowing that you’re trapped in a cycle of trying to be someone else in order to be accepted by the toxicity that is social media.
I only wanted to be part of something
I only wanted to be part of, part of
I only wanted to be part of something
I only wanted to be part of, part of
I only wanted to be part of something
I only wanted to be part
Sometimes I feel sad when I make a good faith effort to participate in something and I’m not allowed. When I want to share my thoughts in a conversation or ask a question or try to get people to think about something. I “only wanted to be part of something.” Don’t we all?
But social media is not the place where that happens.
I let you cut me open just to watch me bleed
Gave up who I am for who you wanted me to be
Don’t know why I’m hopin’, so fuckin’ naive
Fallin’ for the promise of the emptiness machine
The emptiness machine
Why are we so fuckin’ naive?
Other interpretations of The Emptiness Machine
I won’t go deep into other interpretations, but in the day or so since the song was released, I’ve seen a couple prevailing interpretations. One is that the band is talking about the pressure of trying to please faceless fans who never seem to get enough, and the other is that Emily Armstrong is singing about some of her past experiences in her personal life.
I love Linkin Park because every interpretation I’ve mentioned here is valid and can work. This song speaks to my social media demons. Maybe for Mike Shinoda, Brad Delson, Phoenix and Joe Hahn, it speaks to their struggles as a band. Maybe for Emily, it addresses her own demons.
I’m not here to tell you what to think. But I’ve always loved Linkin Park because of their relatability. And in my opinion, I think fans would be better off trying to find what speaks to them than trying to psychoanalyze a bunch of musicians they’ve never met and guess how their specific personal feelings shaped their songs.
And that is exactly the kind of thoughtful sentiment that I would never share on Reddit.
Viet-Mom
Welcome to CodyGough.com! This may be your first visit, because it’s my birthday, and I’m using the powers of Facebook to trick people into visiting promote my web site. Welcome, and enjoy. I host episodes of Unqualified: A Video Game Podcast here, as well as post stories and poems that are ten years old. I will eventually do more stuff, but I wanted to start simple in 2013.
With that out of the way: exactly 10 years ago, I had an idea. Inspiration like you would never expect. In addition to incredibly artistic drawings of characters from Super Smash Brothers: Melee, I came up with the premise to a story of epic proportions. Observe!
Transcript:
VIET-MOM
The chilling tale of one Asian woman who bore an entire nation, only to one day be betrayed by her own uterus. Witness the gripping re-enactment of one pedophiliac cannibal’s quest for her “golden children” through the exotic jungles of such countries that start with the letter “T” as Tahiti, Tijuana, and Taiwan. You’ll laugh, you’ll cry, and you’ll cry some more, as the journey takes you through four hundred years of tragedy, comedy, romance, and satire.
A few things:
- Yes, I know I didn’t originally write “Asian,” but the word I DID use wasn’t politically incorrect yet when I wrote it. So sue my 10-years-ago-self. I actually am sorry if that offended you, though… just keep in mind, this was written by a high schooler in a different time. That’s all.
- I’m pretty sure that tragedy, comedy, romance and satire were like, the 4 types of stories we studied in English class. We had also watched Apocalypse Now in class, which I’m sure inspired this entire poem.
- I have no idea where Tahiti is. And I hate myself for ending the previous sentence in a preposition. But at least now I’ve shown that I did learn something in school, so I’ll call that a win.
Look, I never said that none of my stuff would be offensive (DAMN YOU, DOUBLE NEGATIVES), so please keep in mind that a high schooler wrote this stuff and that the “big picture” of my entire 10-year project is to entertain. Sometimes that includes shaking your head in my general direction. Other times, that means seeing my INCREDIBLY ARTISTIC ARTISTRY, especially applied to video games.
Anyway, I went on a kind of sabbatical from my web site in March, but you can look forward to seeing a lot more of my high school genius in April. Thanks for visiting! I hope you enjoy my little project and decide to check out other parts of my site, and more importantly, I hope I can entertain you again soon, because I honestly think making people smile is why I was put on God’s Green Earth®… even if only because I have no other real skills.
Speaking of earth, I like how on my Apple keyboard, I can simply type Option+R to make the ® symbol, but on my Windows 8 laptop, I have to type Alt+0174. HOW DOES THAT EVEN MAKE SENSE
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This post is part of Cody’s “10-Year Idea Reunion” series, in which Cody revisits his creative writing class assignments exactly 10 years after writing them. Learn more about Cody’s Idea Reunion and follow him on WordPress to follow along!
A poem I can’t really explain
Fair warning: I have no idea what motivated this poem. It includes a lot of vocabulary words and is kind of emo, at least for me. So good luck getting through it:
Transcript:
I cry, enraged;
Interneccine, intractable, intolerable
Living a lie because the truth hurts
The truth, just as myself:
Intangible, impractible, intolerable
Just as hard to reach as
An echo in a cave
But deep within they lie
Investigate, intrude after all
Invincible You, Invidious You,
Inviolate Me, Invisible Me;
Interjected by hope.
By love – But for Whom?
Insanity for me
As if I could even tell
It interrupts the thoughts I can’t understand
They intrude, they intrude,
But into nothing at all.
People want me,
People need me,
But they don’t see me
So do they use me?
Symbiotic
People use people
And in the end, enraged,
I cry.
A few things:
- The second line roughly translates to “murderous, obstinate, intolerable.” Later on, “impractible” isn’t a real word, “invidious” means “hateful,” and “inviolate” means “unharmed.”
- I think the tone of the poem is too dark for me to have been simply messing around with alliteration, as I’ve done in previous poems, unless I was simply too angry while writing this angry poem to heed the English language.
- “An echo in a cave” refers directly to Plato’s Allegory of the Cave, although I don’t necessarily understand the context.
I must have had a bad day or something when I wrote this. Do you see any universal truths in this poem? Any statements about human nature? It’s hard for me to look at any of my old poetry objectively and try to read it out of context, which is both problematic for presenting my old works to the general public, and frustrating because maybe that’s now really the point.
This poem really sticks out to me because it isn’t sarcastic or irreverent, but it’s also really abstract compared to a lot of my other stuff. Like, generally, I see something and think to myself “okay, I get where that came from,” but this one is just like… totally out of left field. I hope you find some enjoyment out of it, because I can’t find much value in terms of poetry or reminiscence.
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This post is part of Cody’s “10-Year Idea Reunion” series, in which Cody revisits his creative writing class assignments exactly 10 years after writing them. Learn more about Cody’s Idea Reunion and follow him on WordPress to follow along!
A poem starring forced alliteration, excessive prepositions, and Super Smash Brothers: Melee
I don’t know what exactly our teacher could have possibly said to inspire me to write this poem. Seriously, here is what must have happened that day:
Teacher: Okay class, you all have to write a poem today, the subject of which must be something you are passionate about.
Me: Does that include video games?
Teacher: Why yes, Cody, it certainly does! And be sure to include at least one writing technique, such as alliteration, in the poem.
Me: How about I include alliteration, but instead of giving it any context whatsoever, I just write a bunch of words in a row that start with the same letter but lack any coherent or logical flow?
Teacher: That sounds splendid! Please also do that with a part of speech as well, such as prepositions or linking verbs.
Me: I will do so happily, and then gallivant into the sunset!
Teacher: You didn’t even use that word correctly, but who cares? Go write your terrible poem!
That basically is what must have happened, because Science®. Anyway, here’s the result of this conversation:
Transcript:
Characters all around
25 all around,
Colorful characters quite abound
Every few and every pair
Have some sort of reason to be fighting there
Cartoonish they seem, yet I don’t quite care
It keeps things clean—for the Kids.
Contacts cascading, namecalling renaming
The therapeutic Theremin of Thespian thinking
A thing-in-itself
Which no-one seems to be seeing
Smelling the sweat, the substance of strife
Illiterate critics, illegitimate gimmicks,
Sucking the life out of
Into out of around near far abound
Train of thought
Derailed to hell
Away from the housetop,
Away from the roof
Now dash away, dash away…
Dash away all.
Ten years after writing this poem, I can explain almost every thought that went through my head. I have no specific recollection of writing it, but here’s how each part of this happened:
- I started writing about Smash Brothers. “25 characters” are in Smash Brothers: Melee, and the violence in the game is irrefutably “cartoonish” to maintain a K-A rating (Kids to Adult), which is the video game equivalent of being rated PG.
- I must have heard the word “theremin” somewhere and couldn’t think of anything else to write in Line 9, so I just grabbed a Thesaurus (or used any “th” words I could recall) and stuck them together incoherently, very likely thinking “I can get away with anything, it’s poetry” at the time.
- Line 13, “Illiterate critics, illegitimate gimmicks” undoubtedly refers to video game critics who invent facts to further their own political agendas (i.e. Jack Thompson, who at the time was sadly receiving media coverage) as I start to “zoom out” from Smash Brothers itself and start to examine the overall perception of it, and gaming.
- After writing Line 14, “Sucking the life out of,” I couldn’t think of what to write, so I just wrote a chain of prepositions, which were HUGE in the Latin class I was also taking at the time. I directly admit this in Line 16 when I say “Train of thought,” and concede that I couldn’t think of a coherent follow-up in Line 17: “Derailed to hell.”
- Lines 18 through the end are self-explanatory.
Is it frightening that I can deconstruct my own ten-year-old poem as specifically as I did? Honestly, you tell me. I like to think that some things never change, and that I don’t think that’s a bad thing. My writing was also pretty transparent, at least at the time, and at least to me.
Anyway, I hope you enjoyed this completely ridiculous poem! Looking ahead, it appears that I won’t have a great deal of notes/poems/stories for the next 10 days, but please stay tuned and there will be plenty more for you to analyze, criticize, or ignore soon!
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This post is part of Cody’s “10-Year Idea Reunion” series, in which Cody revisits his creative writing class assignments exactly 10 years after writing them. Learn more about Cody’s Idea Reunion and follow him on WordPress to follow along!
A Poem: “Bad Poetry Gone Worse”
AN ASSIGNMENT! Looks like we had homework in my creative writing class. And this also looks like a semi-serious attempt at a semi-serious poem. I’m going to post the transcript first, and THEN an image of the poem, so that you can read it (if you’d like) without my teacher’s commentary first.
Just as before, I’m reluctant to post one of my actual serious attempts at poetry, because who wants to feel vulnerable ever? And yet I must, not only to grow as an artist, but because I wrote this ten years ago and really have no business feeling self-conscious about it in the first place. So here you go:
Bad Poetry Gone Worse
Warmth and safety –
Temporary, not contemporary –
Brought about by softly stroking,
Holding close who means the most,
To feel warmth and safety.
A delicate caress, and a moment trapped in time
Forever – an eternity – can never last that long
The feeling held, the moment constant,
Infinity within a single embrace
Yet no time, no numbers, no measurements
Can quantify my Happiness.
Supporting Me, supporting You
Like two, like one; like one, like two;
Together at last, together forever
Together forever… but only for a moment.
One last look one last sigh
One last hug at the end of the night
One last peck – unless we’re just Friends –
One last grin as if keeping things quiet
One last touch to ensure that She’s there
One last heartbeat—
The everlasting hug… Gone.
A few things:
- We studied Emily Dickinson quite extensively in English class; this led to a substantial use of “random” capitalization in my poetry, often somewhat mockingly. In this case, however, it looks like my teacher (and I, ten years later) was pleased with how I used it.
- I can’t decide whether I agree with my inclusion the line “Temporary, not contemporary” that my teacher circled. It kind of doesn’t fit, but I feel like there’s a case for it. Thoughts?
- This poem doesn’t suck, so that’s kinda cool, right?
I wasn’t what you would call “good” at things like “turning in assignments on time,” so I’m sure the check with “-20%” at the top of the page means that I turned in my assignment late. Oh well, I still graduated!
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This post is part of Cody’s “10-Year Idea Reunion” series, in which Cody revisits his creative writing class assignments exactly 10 years after writing them. Learn more about Cody’s Idea Reunion and follow him on WordPress to follow along!
Aphorisms!
In case you’re unfamiliar with the term, an aphorism is kind of like a proverb. You know, stuff like “patience is a virtue,” “stupid is as stupid does,” and others like that. Here is a list of aphorisms that I wrote:
I didn’t invent any of these, but here are my favorites:
“Going to war without France is like going deer hunting without an accordion.”
“Condoms don’t protect the heart.”
“Candy is dandy – liquor is quicker.”
And, of course, the one I slipped in from Space Ghost: Coast to Coast. But I’ll leave that one up to YOU to identify (if you can read my high school handwriting, of course).
So if I didn’t create anything original, then why am I posting this? As a precursor to tomorrow’s poetry, of course! Stay tuned.
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This post is part of Cody’s “10-Year Idea Reunion” series, in which Cody revisits his creative writing class assignments exactly 10 years after writing them. Learn more about Cody’s Idea Reunion and follow him on WordPress to follow along!
Greek philosophy and a poem about semicolons
Whether or not you like my (10-year-old) poetry, you will likely find something you enjoy in this post! That’s because the top half of my page of notes contains timeless quotes about life from Greek philosophers, transcribed here:
“Actions always planned are never completed.” -Democritus
“Old men were once young, but it is uncertain if young men will reach old age.” -Democritus
“The path up and down is one and the same.” -Heraclitus
“Nature likes to hide itself.” -Heraclitus
“The world is change; life is opinion.” -Democritus
“Theraclitus said that a man’s character is his fate.” -Stabeus (?)
“[Parmenides] speaks of perceiving and thinking as the same thing.” -Theophrastus
“All things were together. The mind came and arranged them.” -Anaxagoras
“Worlds are altered rather than destroyed.” -Democritus
“Dark and light, bad and good, are not different, but are one and the same.” -Heraclitus
Whoa, we’re starting to get deep, aren’t we? I have no clue how these quotes tied in with the poem I wrote below them (if at all); nonetheless, here it is, transcription following the image:
Transcript:
Poor, deprived semicolon
There isn’t even punctuation in Latin
So then, why, Anaxagoras?
The mind came,
Arranged everything
So then, why?
Punctuation, arranged for granted?
Taken for granted?
Taken at all?
The mind needs a mean
By which it can arrange;
How, then,
Is the semicolon neglected?
Rejected?
Disrespected?
Why, Anaxagoras? Why?
…why?
A few things:
- Did Anaxagoras invent written language? No[t that I can find using Google]. Does my poem suggest this? Yes. Do I know what to make of this discrepancy? Hell no.
- For the uninitiated, Anaxagoras was a Greek philosopher best known for having a totally badass name.
- I took a Latin class my senior year of high school, and that is directly responsible for my use of the phrase “by which,” as we used a LOT of prepositions in that class. As a result, we learned to write by means of many prepositions (see what I did there?).
I used to LOVE writing semicolons in high school and college, but lately I’ve become a huge fan of using colons. Not just to introduce lists, mind you; my use of colons is much more advanced than that. Of course, right now I can’t think of how I could purposely write a sentence to utilize a semicolon, but that just means you’ll have to keep checking my web site for more updates so you can spot ’em when I write them!
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This post is part of Cody’s “10-Year Idea Reunion” series, in which Cody revisits his creative writing class assignments exactly 10 years after writing them. Learn more about Cody’s Idea Reunion and follow him on WordPress to follow along!
A really good poem with sexual undertones
There’s a bunch of crap on this page that you can probably ignore, followed by a poem that I actually kind of like a lot. More specifically, the top part of the page is probably some sort of word association, as I wrote about memories like “Forest City Invitational, senior year” (a cross country meet I ran) and “Picking up Dorothy and spinning her around” (I played the Scarecrow in “The Wiz”), and the middle part of the page looks like some disjointed stream-of-consciousness-type writing.
I’m only going to transcribe the poem that follows those thoughts, however, because frankly, I think it’s actually worth reading:
Transcript:
Rest
Relaxation
Muscles loosened
Body stopped
Staring at the closet, the closet staring back at me
One last movement – cuddling
One last thought – sex
One last sigh –
Finally.
It has pretty strong implications, but it’s also open to interpretation. You could even say that it’s… poetic. Maybe my creative writing teacher got to me after all. I just hope this poem was as good for you as it was for me (sorry, I couldn’t resist).
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This post is part of Cody’s “10-Year Idea Reunion” series, in which Cody revisits his creative writing class assignments exactly 10 years after writing them. Learn more about Cody’s Idea Reunion and follow him on WordPress to follow along!








